On October 18th, during an event in Jingdezhen, the “Porcelain Capital” of China, former Director of the Palace Museum and Chair of its Academic Committee, Shan Jixiang, shared his insights on the intersection of culture and urban development. “By preserving the historical buildings and traditional residences near Longzhugao, we’re inviting long-time residents back to engage in the time-honored practices of ceramic research, production, and the sale of creative ceramic products, transforming this area into a vibrant historical district,” he said.

Shan spoke at the 2024 Jingdezhen Forum, an important event as part of the upcoming International Ceramic Expo in Jingdezhen. He highlighted that the Palace Museum houses over 360,000 pieces of ceramics, with 90% originating from the imperial kiln in Jingdezhen. In ancient times, many fine ceramics were sent to the Forbidden City exclusively for the royal family, while lesser pieces were destroyed in Jingdezhen. Today, however, the Palace Museum has evolved into a cultural institution, and remnants of Jingdezhen’s past are being uncovered through archaeological efforts, providing an opportunity for them to be displayed together once again.

Reflecting on his own involvement in archaeological surveys in Jingdezhen, Shan noted the significant developments in the city over the years, saying, “Every visit fills me with encouragement.” He emphasized the importance of the region’s state-owned ceramic factories as key players in the cultural tourism and heritage protection initiatives.

“Although the industrial production landscapes of the past may no longer exist, the cultural memories associated with them remain. The glorious achievements of the ceramic industry compel us to protect this legacy,” he asserted.

Shan also expressed enthusiasm for the ceramic markets, stating, “People are eager to experience the vibrant atmosphere of Jingdezhen’s ceramic markets. I’ve personally drawn inspiration from my visits here, sparking new ideas for developing cultural and creative products.” He noted that the Creative Street of Taoxi River, which evolved from the Jingdezhen Universe Ceramic Factory, has become a hub for young people from around the world, engaging in meaningful learning and cultural exchange, thus leading a new trend in industrial heritage preservation and creative park development across the country.